All 20 episodes from the sixth and final series of the hit comedy drama series set in New York. In 'To Market, To Market', Carrie (Sarah Jessica Parker) is getting so nervous about her date with Berger (Ron Livingston) that she decides to go on a Sim-u-date to calm her nerves. 'Great Sexpectations' sees Carrie realising that the passion she and Berger feel for each other doesn't translate to the bedroom. In 'The Perfect Present', Carrie is concerned by Berger's hostile reaction to his ex-girlfriend's voicemail message. In 'Pick-a-Little, Talk-a-Little', Berger reacts badly to Carrie's jokey criticism of his new novel. In 'Lights, Camera, Relationship', Carrie and Berger's relationship starts to look even more fragile when Carrie gets a big advance for her book just as Berger's option is dropped by his publisher. In 'Hop, Skip and a Week', Berger and Carrie drift even further apart and he finally dumps her - by Post-it note. In 'The Post-it Always Sticks Twice', Carrie vows to her friends that she won't badmouth Berger - but when she runs into some friends of his the temptation proves irresistible. In 'The Catch', Charlotte (Kristin Davis) gets married to Harry (Evan Handler). 'A Woman's Right to Shoes' finds Carrie's new Manolos being stolen at her friend's baby shower. In 'Boy, Interrupted', Carrie runs into an old high school boyfriend, who is in town to attend a local psychiatric facility. 'The Domino Effect' sees Big (Chris Noth) back in town for an operation. In a feverish delirium he opens up to Carrie - but on recovery becomes his usual cool and closed-off self. In 'One', Carrie meets Aleksandr Petrovsky (Mikhail Baryshnikov) at a hot new art exhibition. In 'Let There Be Light', Carrie stays over at Aleksandr's apartment and the two become an official item. In 'Catch-38', Aleksandr tells Carrie that he has a daughter in Paris, and that he doesn't want any more children - leaving Carrie to wonder if, at 38, she's willing to give up a man for a baby she may or may not want to have. 'Out of the Frying Pan' sees Carrie walking out on Aleksandr when, during a conversation about Samantha's (Kim Cattrell) breast cancer, he mentions a friend of his who died of the illness. In 'The Cold War', Carrie arranges for her friends to meet Aleksandr, but he doesn't show up, and it turns out he's anxious about his forthcoming exhibition in Paris. In 'Splat', Carrie accepts Aleksandr's offer to accompany him to Paris. In 'An American Girl in Paris (Part Une)', Carrie, left to her own devices on the streets of Paris while Aleksandr prepares for his exhibition, is missing her friends and her life back home. In the final episode, 'An American Girl in Paris (Part Deux)', Carrie returns to New York and her friends with Big after he tracks her down in Paris and they realise they are meant to be together.

All 18 episodes from the fourth series of the popular TV comedy. In 'The Agony and the 'Ex'tasy' Carrie has her 35th birthday and Samantha gets a crush on a priest. 'The Real Me' has Carrie asked to model for Dolce & Gabbana. 'Defining Moments' sees Miranda have some bathroom problems with her boyfriend. 'What's Sex Got To Do With It?' finds Carrie having sex with Ray, Charlotte having sex with Trey, Samantha having her sex gay, and Miranda not having sex at all. 'Ghost Town' sees Miranda's ex-boyfriend Steve and Carrie's ex-boyfriend Aidan open a bar together. 'Baby, Talk is Cheap' has Miranda date a marathon runner. 'Time and Punishment' finds Carrie getting jealous when Aidan starts hanging out with a beautiful bartender. In 'My Motherboard, My Self' Miranda's mum dies and Samantha buys a sex manual in the street. In 'Sex and the Country' Carrie is frightened by a squirrel and Samantha has sex with a farmer. 'Belles of the Balls' sees Aidan and Mr Big confront each other in the country. 'Coulda, Woulda, Shoulda' has Miranda discover that she is pregnant. 'Just Say Yes' finds Carrie and Aidan discussing moving in together. In 'The Good Fight' Carrie storms out on Aidan and Charlotte storms out on Trey. 'All That Glitters' sees Carrie, Miranda and Samantha go dancing at a gay club. 'Change of Dress' has Samantha get upset when she discovers that Richard is still sleeping with other people. 'Ring a Ding Ding' finds Carrie worrying about how to buy back her apartment from Aidan. 'A Vogue Idea' sees Carrie's new job at Vogue get off to a bumpy start. Finally, in 'I Heart NY', Miranda goes into labour, Mr Big leaves for California, Samantha confronts Richard, and Charlotte starts dating again.

Diplomarbeit aus dem Jahr 2006 im Fachbereich Mathematik - Stochastik, Note: 2,0, Friedrich-Schiller-Universitat Jena (Wirtschaftswissenschaftliche Fakultat), 20 Quellen im Literaturverzeichnis, Sprache: Deutsch, Abstract: Die vorliegende Arbeit widmet sich der entscheidenden Bedeutung der Wahl eines geeigneten Risikomodells, indem mittels zweier verschiedener Value at Risk bzw Conditional Value at Risk (expected shortfall) -Berechnungsmethoden - der Historische Simulation und der Monte Carlo Simulation - fur jeweils gleiche Portfolien uberpruft wird, ob diese trotz theoretisch gleichen Risikos zu verschiedenen Ergebnissen fuhren. Das Ziel ist es dabei, folgende Kernfragen zu beantworten: I.Welche Auswirkung hat die Wahl der Berechnungsmethode auf die Hohe der jeweiligen Risikokennzahl? II.Welche Auswirkung hat die Wahl der Berechnungsmethode auf die Anzahl der Falle, die von der Risikokennzahl nicht erfasst werden? III.Welche Auswirkung hat die Wahl der Berechnungsmethode auf die Hohe der Eigenkapitalunterlegung? IV.Welche Auswirkung hat die Wahl der Risikokennzahl (VaR oder CVaR) auf die Hohe der Eigenkapitalunterlegung? V.Welche Auswirkung hat die Wahl der Berechnungsmethode auf die Praferenzreihenfolge eines Entscheiders, der a) nur aufgrund der Risikokennzahl und b) nur aufgrund der Hohe der Eigenkapitalunterlegung entscheidet? VI.Welche Auswirkung hat die Wahl der Risikokennzahl auf die Praferenzreihenfolge eines Entscheiders, der nur aufgrund der Hohe der Risikokennzahl entscheidet? Zur Beantwortung dieser Fragen werden in Kapitel 2 grundlegende Uberlegungen zur Messung von Marktrisiken bei der Kapitalanlage durchgefuhrt. Die beiden Risikokennzahlen VaR und CVaR werden ausfuhrlich erlautert und verglichen. Am Ende des Kapitels wird das bereits erwahnte Backtesting in der speziellen Form der Basler Ampel" dargestellt. Daraufhin werden in Kapitel 3 die beiden unterschiedlichen Berechnungsmethoden Historische Simulation" und Monte Carlo Simulation" mit